Wednesday, May 6, 2020
The Aftershocks Of Oppression Historical Determinism
The Aftershocks of Oppression: Historical Determinism in Writing In his seminal essay, ââ¬Å"The Muse of History,â⬠Derek Walcott argues for the rejection of history as a ââ¬Å"creative or culpable forceâ⬠in narrative fiction. Walcott proposes that protagonists should ââ¬Å"[walk] in a world without monuments and ruins,â⬠unencumbered by the vestiges of the past. His perspective on the role of history in prose is decidedly anti-determinist, and he maintains that good prose should not be driven by the past. Walcott asserts that writing should not be constrained by history. However, in ââ¬Å"Let Them Call it Jazzâ⬠by Jean Rhys and ââ¬Å"You Canââ¬â¢t Get Lost in Cape Townâ⬠by Zoe Wicomb, ââ¬Å"there is no escape from history.â⬠The past digs its long claws into the flesh ofâ⬠¦show more contentâ⬠¦The legal system works against the narrator, and the police ââ¬Å"pretend [she] never have any [savings].â⬠When she comes to the police with her complaint, they trip her up with their questioning, and she is unable to convince them that she has been robbed. However, when the police question the narratorââ¬â¢s white, British, landlady, sheââ¬âreferring to the narratorââ¬â¢s ethnic backgroundââ¬âtells them, ââ¬Å"these people [are] terrible liars.â⬠The police take the landladyââ¬â¢s statement at face value, but do not pay the same regard to the narratorââ¬â¢s statement. The power dynamics and stereotypes at play bias the police against the narrator because she is black, foreign, and poor. The narrator herself recognizes the one-sidedness of the legal system, saying, ââ¬Å"All I can say about police and how they behave is I think it all depend who they dealing with.â⬠The narrator is not ââ¬Å"Eveianâ⬠woman, and she is not infallible; nevertheless, the way in which the legal system treats the narrator, reveals the inherent prejudice of the system. It is not until the narrator accepts her subordinate role within the power structure that things seem to turn around for herââ¬âshe is freed from jail, gets a new room to live in, and the job she wanted, altering ladiesââ¬â¢ dresses. The narrator is ââ¬Å"not frightened of them any moreâ⬠¦[she knows] what to say and everything go like a clock works,â⬠but in losing the ability to express her opinion, she accepts her status as a second-class citizen with
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